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Collaborative Project
EL ASPECTO SENSORIAL DE LAS COSAS/THE SENSORY SIDE OF THINGS
Federica Porello, Les Chasseurs Cueilleurs
On 26/07/2019 at 19:00 in L'animal a l'esquena (Celrà)

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2019
 Collaborative Project
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EL ASPECTO SENSORIAL DE LAS COSAS/THE SENSORY SIDE OF THINGS

L'animal a l'esquena (Celrà)
From 15/07/2019 to 26/07/2019
Presentation :
On 26/07/2019 at 19:00 in L'animal a l'esquena (Celrà)

Federica Porello, Les Chasseurs Cueilleurs
( Federica Porello, Les Chasseurs Cueilleurs )

In this first phase of the creation of El aspecto sensorial de las cosas (provisional title), Federica Porello will look into the multi-faceted potential of the various elements of the stage: the performer, objects, light and sound. She is interested in studying the different degrees of presence in a performer, from being observed to addressing the audience directly, and the different states of the silent audience: contemplative, decoding enigmas, receptive…
The ingredients for the research will be the different kinds of relationship between movement and music (visual representation of the sound, coexistence, dialogue…) and between actions and objects (manipulation, animation, interdependence…).
Her original reference points will be the musical pieces Il trillo del diavolo by Giuseppe Tartini, Sonata for Cello Solo by György Ligeti and Moto perpetuo, Op. 11 by Niccolò Paganini.
The objects she will begin working with will be pieces of wood, either singly or linked to create jointed objects.



 Creation Residence
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Self-escape

L'animal a l'esquena (Celrà)
From 15/07/2019 to 20/07/2019

Zoltàn Vakulya
( Zoltàn Vakulya )

This is a first the edit for a solo-work, performed by myself sometime next year (2020).

For the human beings, since we know our own history we were drawn to challenge ourselves trough conquering and to getting know. Land, knowledge, each other.
It isn’t so di?erent in the nature of artists and for dance makers especially. Choreographers, dancers, teachers, researchers since the Judson Church movement are viciously ‘fighting’ the ‘old’ and inventing, taking on the ‘new’.
Dance as a performing art form has evolved and still shaping itself in a high speed by freeing itself from rules, melting and fusing with other media and discovering new territories.



 Writing Residence
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Cuadernos sobre el tocar / fulgor / tachin [Notebooks on Touching/Glow/Ta Da]

L'animal a l'esquena (Celrà)
From 17/07/2019 to 26/07/2019

Aimar Pérez Galí, Jaime Conde Salazar
( Aimar Pérez Galí, Jaime Conde Salazar )

In this writing residency we shall be concentrating on continuing to write ”Cuadernos sobre el tocar” (“Notebooks on Touching”), a collection of notebooks that systemise the practice of Touching Improvisation we have been developing over the past two years. The notebooks form part of the Radiación +++/Radiation +++ project run by La Panera Arts Centre and the Arnau Hospital in Vilanova de Lleida, with support from the Fundación Daniel & Nina Carasso. We are also starting to prepare for our next production, “Fulgor” (“Glow”) (2021) and in this residency we shall begin to think about the language needed for the project. Using the research we have carried out in recent years into skin and touch, we shall return to the theatre and turn it into a huge dark room. Loosely inspired by Puccini’s Madame Butterfly, “Fulgor” will offer a sensual journey in which butterfly-bodies will appear as a delicate and vivid phantasmagoria, impossible to keep hold of.



 Creation Residence - Associate Project 2019
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RETRATOS ERRANTES

L'animal a l'esquena (Celrà)
From 27/07/2019 to 02/08/2019

La Bolsa
( La Bolsa )

Retratos Errantes/Errant Portraits investigates how to emphasise the individuality of the creative worlds of each performer, with the attentive accompaniment of the company Mal Pelo. The interest in this encounter lies in showing how one group of creators/performers can offer multiple perspectives on each individual within the collective.



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