Creation Residence

L'animal a l'esquena (Celrà)
From 12/03/2018 to 17/03/2018
Presentation :
On 17/03/2018 at 19:00 in L'animal a l'esquena (Celrà)

Lucía Marote
( Lucía Marote, Anna Barbero, Riccardo Burcarini )

Fall (provisional title) is a poetic, physical, sensory and musical study of the passage of life through a body, in the way that time passes through a leaf until the inevitable moment when it lets go and falls. From the vantage point of my attachment to life, I see letting go as the image of that leaf abandoning everything that holds it to surrender to the air and the earth, with no going back. Or perhaps as returning to being the child who plays just for the sake of playing, with the whole universe revealed in her play.

 Creation Residence - Resident Associate Company

L'animal a l'esquena (Celrà)
From 19/03/2018 to 27/03/2018
Presentation :
On 30/03/2018 at 18:30 in Philharmonie de Paris (Paris)
On 30/03/2018 at 21:00 in Philharmonie de Paris (Paris)
On 31/03/2018 at 16:00 in Philharmonie de Paris (Paris)
On 31/03/2018 at 18:30 in Philharmonie de Paris (Paris)
On 01/04/2018 at 16:00 in Philharmonie de Paris (Paris)
On 01/04/2018 at 18:30 in Philharmonie de Paris (Paris)

Mal Pelo
( Mal Pelo, María Muñoz, Dan Tepfer, Federica Porello )

María Muñoz will perform her solo Bach, which recently won the Premi Ciutat de Barcelona de Dansa 2017, for the second time in Paris. In 2013 the performances were held at the Théâtre les Abbesses – Théâtre de la Ville de Paris. This time they will be at the Philharmonie de Paris, in a special new version. Bach will be performed by both María Muñoz and Federica Porello, with the music performed live by the French-American pianist Dan Tepfer.
This is a collaboration between the Philharmonie de Paris, Cité de la Musique and the Théâtre de la Ville de Paris.

 Creation Residence

L'animal a l'esquena (Celrà)
From 26/03/2018 to 31/03/2018

Elena Córdoba
( Elena Córdoba, María del Mar López, Jesús Rubio, María José Pire, José Manuel Prades )

Salvajes is the second part of La edad de la carne, a study and creation project on ageing bodies.

In this process we are setting out to look at the idea of choreography (written movement) as if, more than an artistic discipline, it were an agreement between everything that moves. The question is, how far can choreography be a meeting space between different natures, different bodies, different times?

A starting point for the work: to trace the spaces where anatomy ceases to be inwards from the skin to become a point of contact with another or the other.

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