El viento golpea sobre figuras fijas / The wind strikes fixed figures
L'animal a l'esquena (Celrà)
From 20/04/2026 to 25/04/2026
Milagros García Salgueiro
( Milagros García Salgueiro )
L'animal a l'esquena (Celrà)
From 20/04/2026 to 25/04/2026
Milagros García Salgueiro
( Milagros García Salgueiro )
A project by Milagros García Salgueiro in collaboration with Alejandra Salgueiro.
My first idea: to do a project with my mother, in which she would not only be my mother but also my companion, my collaborator, my first reader, my tutor. To see my mother as a teacher and for her to see her daughter as a dancer.
My second idea: to write together a fanzine about dance, improvisation and education. To create a dialogue between our practices: mine in a dance studio, hers in a classroom.
My third idea: to think of the edition of the fanzine as a glossary. To asign a word to every letter of the alphabet and, from there, let different texts unfold that would put it in dialogue with the core subjects of the project: dance, improvisation and education.
My first idea: to do a project with my mother, in which she would not only be my mother but also my companion, my collaborator, my first reader, my tutor. To see my mother as a teacher and for her to see her daughter as a dancer.
My second idea: to write together a fanzine about dance, improvisation and education. To create a dialogue between our practices: mine in a dance studio, hers in a classroom.
My third idea: to think of the edition of the fanzine as a glossary. To asign a word to every letter of the alphabet and, from there, let different texts unfold that would put it in dialogue with the core subjects of the project: dance, improvisation and education.
Here is the starting point. After that, open ground, constant questions.
What to write?
Which words?
Which texts?
What tone?
What length?
What to include?
What to pause?
What to read?
What references?
What to move?
What to listen to?
What will come of it?
As a guide I had a line I read one day in a book that I must have liked a lot: “You will speak simply of what you see.”
What to write?
Which words?
Which texts?
What tone?
What length?
What to include?
What to pause?
What to read?
What references?
What to move?
What to listen to?
What will come of it?
As a guide I had a line I read one day in a book that I must have liked a lot: “You will speak simply of what you see.”
