Is a theatre performer, artist and director. She trained in Spain, Argentina and Germany. She currently combines her artistic work with studies in cultural anthropology at the Universitat de Barcelona. She has a degree in Performance, specialising in movement, from the Intsitut del Teatre de Barcelona. She has worked with choreographers and directors such as Xavier Le Roy (Retrospective, Xavier Le Roy Fundación Tàpies, 2012), Roger Bernat (Numax-Fagor-Plus, International Bürgerbühnenfestival, Theater Freiburg) and Arantxa Martínez (The Present at Tanz im August). She has also developed her own solo work: VIP, Homage to Severiano Naudin (Jury Prize at the Festival 100, 2013, Hebbel am Ufer Theater, Berlin), Una familia baila /A Family Dances (Festival TNT, 2015). She is a member of the company Los Detectives. She also founded and is a member of the collective Mos Maiorum, with whom she created the documentary theatre piece Mos Maiorum, la costumbre de los antepasados/Mos Maiorum, the customs of our ancestors (TNT 2016), Gentry (Festival Grec 2018) and Turba (Teatre Lliure and Temporada Alta, 2021). She was a member of the artists’ group A.R.T.A.S. at La Poderosa in 2016 and associate artist in 2019 and 2020 at the Centro de Creación and Artes Vivas El Graner. In 2022 she worked with the company Altresbandes on their new production, which premiered at the Teatre Lliure as part of the Festival Grec. She also worked with the choreographers Montserrat Gardó and Petr Hastik on their new project Brutology, co-produced by the FFT Theatre in Düsseldorf. Lastly, she is co-writer and performer on the new feature film by Miguel Ángel Blanca (Magaluf Ghost Town, 2021), Ejercicios para ver a Dios/Exercises to See God, based on a theatre piece by her company Los Detectives (Pienso Casa Digo Silla, Festival Grec 2019) and co-produced by Boogaloo Films.

https://marionanaudin.com/